Picture of Me Caitlin Jeanne McHugh

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Published Poetry

This page features the poetry that I have had published in various literature magazines.  They are listed in chronological order of publication.  If you want a copy of the actual magazine, contact me.  Other poetical honors:  my poems "Invitation for a Cognitive Miser," "John Stuart Mill in Late 80s Seattle, Washington," and "Sprigs of Mint" won me third place in the Capital University Phi Beta Fine Arts Competition on March 14, 2005.  Also, this year at Capital's Undergraduate Honors Convocation, I was awarded the Adeladie Hinkle Award for Creative Writing.

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Why Doesn't the Bible Have Pictures
published in the 2003 Issue of Dionysia

We used to play
Sardines in church.
Squeezing myself
in dusty, mildewed corners
wedged behind the piano, or maybe
under the organ.
I stared at the lines in the wood,
and they told me stories,
but they couldn't tell me why
Jesus didn't have a wife.
 
Years later, in the church bathroom
I opened up my own chapstick,
strawberry,
improving the goldenrod stalls
with entertaining images
that are worth a thousand parables,
a dotted wall full of nipples.
 
Why doesn't the Bible have pictures?
 
Do churches have cameras in bathrooms?
 
I always look for cameras in bathrooms.
 
If there's a camera,
I want the tape.
Maybe it would show
me, the only one
who can move like she knows
what she wants,
and she's not afraid to get it.
 
I move chapstick to my own body,
tattooing it.
A leper like the Bible says.
A sinner like my father says.
 
I crush the chapstick like original sin,
grope my own breasts,
beauty just like dusty wreaths.
 



 

Children of the Divorcee
published in the 2003 Issue of Dionysia
and Volume 1, Issue 2 of Our Time is Now

My cat always hides his head
under the curtain and thinks
he's invisible.

If I can't see you,
then you don't exist.

My sister and I created a world
under the coffee table,
sharing stories,
while the king and queen
battled over territory
until the world was strangely silent.

I used to have a pop-up book
about a boy named Timmy.
He was a happy boy;
I showed him the good life!
Ripping him from his warm bathtub,
I shoved him in the VCR
so he wouldn't have to exist.

I was jealous of Timmy.
He didn't have to watch his family shatter.

Months later the VCR repair man
deposited a greasy Timmy back into our lives.

I wondered if my parents could scream
loud enough to make the house crack
like the Fall of Usher, sinking into a deep bog,

the eternal darkness
of deep earth at my windows,
as I woke from cave of blankets.

I look at my cat
and he's fallen asleep,
head still buried in the folds of curtain.




Emily Dickinson on High Street
published in the Summer 2003 Issue of Intersections
(Appeared under the title "Emily Dickinson in Columbus, Ohio")

When Emily Dickinson woke up on
the COTA, she thought that the world
had ended, and her violets were gone
 
forever.  In a seat, by papers with curled
edges, she strained to see outside
grime and take in the contemporary world.
 
An old black woman who never showered sat beside
her, and the stench crowded her nostrils.  She
tried to move, but the woman refused to provide
 
ample room.  Unladylike, Emily broke free
by tramping over soiled seats and leaping
over grocery bags.  People became disagreeable
 
with her once again, so she irritably pushed aside the sweeping
crowd in a search for Beauty and got off on High
Street.  She tried a place with flashing lights and, keeping
 
an open mind, tasted actual brewed liquor.  She said goodbye
to her shell and decided to live it up a little.
She was in charge now—she would tell them all; she could defy
 
all of society, wait for the world to whittle
away into nothing.  She was going to read what she wanted
and say what she wanted—a noncommittal
 
life to everyone but herself.  Undaunted,
she embraced life and ran around town,
quitted the act of reclusive-drama queen-ghost, and haunted
 
boldly all those who crossed her path.  Around
certain streets, she was a legend—her eyes inciting
fear for many, and most keenly avoided her newfound
 
wrath.  She was queen until a woman, exciting
feelings in her once forgotten, offered her a crude
bouquet of violets. Emily recalled the inviting
 
search for Beauty and smashed the plentitude for rudely
continuing its existence.  Beauty had not stopped
for her death, but crawled bravely
 
onward.  Her imaginary bubble was popped,
the safety of her cruel alabaster chambers collapsed,
and, as mankind moved onward, her power was cropped.






Family Practice
published in the 2004 Issue of Dionysia

He carefully removed two of his daughter's
bottom teeth to make way for a straw.
By the time the adult teeth grew in, there
would be no need for braces anyway; she
would be trained then. He created pores
 
in the enamel with a special gel.  They absorbed
the glue and secured brackets to her teeth
as she breathed peacefully. He wove the thickest
wire he had in perfect pattern: top molar to bottom,
bicuspid to bicuspid.
 
It was not uncommon to see braces on children now;
she would be no different from her kindergarten classmates
except that she would never scream, nor argue, nor
produce any utterance to cause irritation until that phase
was completely crushed from her system.





Uncleansed
published in the 2004 Issue of Dionysia

Cajun rice crust, ground beef soaking in remnants
of dehydrated tomato sauce, scrambled eggs
that have become one with their frying pan
 
emit an odor of bromopea
and son of a bitch. 
The chunks becloud
the water as they soak—
 
I try to shed myself of all
the self-righteous bullshit which,
like those saturated chunks,
defiles the beauty of the brain
until I doubt
 
the integrity of a philosophy
which makes perfect sense
to me.  The accusations pile up:
 
smart people thinking bad things,
atheists have no beliefs.
 
Negativity married
to negativity.  Second-hand
lives joined with life,
emaciating it.  Indictments
divorced from facts—
 
production is pathetic,
intellectual property does not exist.
 
The bad breath stench pollutes
the entire kitchen, until I am
prepared to give way,
let my brain sleep,
 
the titubation of my walk
and the parallel unsteadiness
of my will submitting
to everyone else’s methods,
until I let the stink and the
goddamned dishes remain
 
uncleansed.






Invitation for a Cognitive Miser
published in the 2004 Issue of The Albion Review

Rand will have her Nietzsche too—Reason
is dead!  A celebration will commence immediately.
Ad Hominem and his cousin Ad Ignorantiam will host.
All should attend, but the excuse will prevail
in all circumstances, as proving reasonable doubt
provides instant justification of any action.
The menu shall consist of Threat with sides
of Guilt and Irrelevant Conclusion.  Dress should omit
all true Arguments, but you best wear your Opinion
on your ass! Begging the Question is an appropriate
accent.  Entertainment shall feature the slaughter
of Logic.  Primary weapons include:  “I feel”
and “Everyone has their own opinion.”             
Don't worry, the Quest for Guilt Removal
has been eliminated from the program—
experience instead the Mighty Blame Shift!
Whoever can dish out the biggest, thickest,
hot helping of guilt wins regardless!
Finally, the evening will conclude an Auction of Self,
so make sure to bring everything that has been
rightfully earned!  RSVP before the age of six
to ensure your place among the masses.







Selma
published in the 2005 Issue of Dionysia

I like it when my son collects
cocoons, and I can hold them
between my fingers, waiting
for the slightest quiver beneath
the thin layer of woven fibers. 
 
It twitches and my heart twitches with it,
not leaping, not failing like my eyes.
 
Did you ever have a sense
that someone was there,
but you couldn't see him?
 
Day by day as my eyes dimmed,
I would figure out small tests for myself: could I
count the petals on the daffodils?
measure the sugar without touching the measuring cup?
fill the sink with suds and water
without wetting the counter top?
Could I see the crack in the sidewalk?
I would make up stories:
 
Today I cannot see the crack because it is too hot—
the old gum has melted on the cement, oozed
into all of the cracks, making them perfect,
like the skin of my baby boy. 
 
So handsome now, I can tell,
as his voice deepens, deeper
than his father's.
 
He describes to me the latest hatching,
the colors now vivid somewhere behind
the my vacuous iris, a pair of wings fluttering
in the breeze, matching my heart as I feel it on my
finger, my other hand touching the geography
that is the hand of my child.



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